“You will become pregnant and give birth to a son, and you will name him Jesus.” (Luke 1:31, GNTD)
That’s straightforward enough. An angel comes; an angel says, “This is what you will do and this is how it will happen;” and that’s what happens.
Kind of. Her betrothed almost set her aside — though he did plan to do it quietly and, hopefully, avoid the stoning which was the penalty for adultery. She gave birth in a barn — though Bethlehem would have been full of relatives at the time, which demonstrates how hardened most hearts were toward her among family members. Then, because her husband had a dream, she found herself traveling to Egypt with a newborn, possibly before she had recovered from the birthing experience, which may have been accomplished without the help of a skilled midwife.
Two thousand years have done a great job of wiping away the sweat and tears of what must have been a difficult lived experience. But stories always do that — even the stories we tell ourselves, especially the stories we tell ourselves about others. Their lives never seem to have the muck and chaos of our own.
This morning, as I sat down to prayer, which is how I start every morning when I am on my own, the daily readings included the gospel story of the Annunciation, and I found myself envying the way God clearly indicated to Mary his will for her life. I’ve not had that clarity for a very long time — since 1998, to be exact. In truth, I only had clarity in my life for one short period of time — from 1990 – 1998. I had gone to the Chicago Institute of Art with a dear friend, saw one of Georgia O’Keeffe’s cloud paintings; thought, “I could do that;” and walked out of the museum knowing in my bones that my life would be wasted if I didn’t paint. So, creating art; motherhood, the deep call of my heart; and personal/spiritual growth formed the triad that shaped my life during that period of my life.
It might be more accurate to say creating art, motherhood and personal/spiritual growth shaped me during that time, but I did not allow them to be enough. Who knows why? In a meditation published in December in a devotional called The Magnificat, Ann Voskamp, writing about The Fall in the Garden of Eden, says, “Our fall was, has always been, and always will be, that we aren’t satisfied in God and what he gives.” Perhaps, unintentionally, I did allow myself to be tempted away from the grace-filled gifts that God had given me.
Sister Joan Chittister, in her book, Following the Path: The Search for a Life of Passion, Purpose and Joy, writes, “People who are unusually gifted in something often tend to take it for granted. … In fact, they are often inclined not only to discount the gift itself as commonplace or even worthless, but to doubt their own abilities in anything else.” While it may be arrogant to claim unusual giftedness in any of the areas indicated, it might be fair to wonder if I didn’t try to prove myself in other areas — grant writing, non-profit management, mentoring — because of self-doubt. It might also be fair to wonder if I failed to recognize the deep stirring of my heart in the areas of motherhood, art and personal/spiritual growth because I was so engaged in trying to prove myself.
I’ve been spending several evenings a week throughout Lent in prayer and in reflecting on God’s call for me at this juncture in my life. I’m turning 60 this year, and am acutely aware of time’s winged chariots. During the past 17 years, I’ve moved seven times and held nine different jobs. I was not carried on the wings of a dream or driven by burning ambition. At best, it might be said, I was a pilgrim seeking the Holy Grail of destiny or clarity or God’s will or something. I wanted to know again the passion that allowed me to balance two jobs, an art career, raising children, caring for a household, and prolific, self-reflective journal writing.
What I’ve come to realize is this — for me it comes down to three things: my relationship with God, creative expression and — yes — motherhood. A life shaped around that sacred-in-my-life triad is deeply authentic and has the potential of becoming deeply rooted. Because I failed to value what mattered most — going so far as to set painting aside for at least five years, maybe longer — I don’t know what that life will look like. I know that I’m a deeply contemplative person, so it probably won’t be a busy life. I know that these authentic expressions of myself will have to be balanced with activities that enable me to be financially self-sufficient. I know that I will have to be flexible in exploring what all of this means, in imagining what it will look like.
Over the weekend, when I was writing in my journal, I found a phrase to describe this phase in my pilgrimage — numinous improvisation. I like the sound of that. I like the way it characterizes this time as sacred. I like the way it alludes to music and theater and other performing arts. I like the dignity it accords this shaping period of uncertainty.
I also like being old enough to appreciate a simple truth: Mary’s clear instructions didn’t reveal how difficult God’s promise unfolding in her life would be. Maybe all these years of drifting through myriad life experiences has been God’s promise unfolding my my life. Maybe, I’ve been collecting material which will provide rich earth for the seeds of creative self to grow through this numinous improvisation and bloom. I hope so.
I switched metaphors there, didn’t I? Hopefully, you get the picture anyway.